FIN FOR A FIN

THE SURF FIN THAT STOPS SHARKS BEING KILLED

BRAND CREATION | SOCIAL ENTERPRISE | INTEGRATED CAMPAIGN | DESIGN

Campaign Case Study

When there’s a fatal shark attack, revenge is taken. And it’s done without the surfer’s wishes ever truly being known, as there’s no way for them to communicate it. FIN FOR A FIN is a social enterprise surf brand that believes in the coexistence of sharks and surfers. The specially marked surf fins alert authorities to a surfer’s wishes for the shark not to be killed in the event of an attack. As sometimes the fin is the only thing that survives.

Profits fund shark alert technology and shark behaviour education. Creating a cycle of coexistence. Not killing.

www.finforafin.com

BRAND DESIGN

FIN FOR A FIN is a new brand identity and symbol that represents the coexistence of sharks and surfers. The symbol acts as a visual signal, alerting authorities to a surfer’s wishes for a shark not to be killed in retaliation to an attack.

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BRANDED CONTENT

FINFORAFIN.COM

FIN FOR A FIN REGISTRY

The FIN FOR A FIN registry captures the surfer's wishes on a global database, so next of kin and authorities know the surfer wants the shark protected. 

 BENEFICIARIES

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PR & OUTCOME

Shark killing is a divisive issue across the world. FIN FOR A FIN gives a voice to surfers who want to publicly declare their stance on the protection of sharks, even in the wake of tragedy. And in doing so, is empowers them to fund a safer and healthier ocean.

We were also invited to contribute to the Australian Senate hearing into shark mitigation and protection, featured on Discovery Channel's Shark Week. and featured in SHARK ATTACKS, by Blake Chapman.

RESULTS

AWARDS & RECOGNITION

Invited to contribute to the Australian Senate hearing into shark mitigation and protection. Featured on Discovery Channel's Shark Week. Featured in SHARK ATTACKS, by Blake Chapman.

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CREDITS

AGENCY: Leo Burnett Melbourne

ROLE: Senior Creative

CREATIVE COLLABORATORS: Alex Metson, Andrew Woodhead, Rob McDowell, Tim Shelley, Jason Williams

YEAR: 2017